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The Waste Land, by T.S. Eliot (Analysis & Interpretation)

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River Shayne. Mark Mulle. Spicy Space Operas. Shorts: Gatecrasher. Orange Lake. One of Eliot's biographers, Peter Ackroyd , commented that "the purposes of [Eliot's conversion] were two-fold. One: the Church of England offered Eliot some hope for himself, and I think Eliot needed some resting place. But secondly, it attached Eliot to the English community and English culture.

By , Eliot had been contemplating a separation from his wife for some time. When Harvard offered him the Charles Eliot Norton professorship for the — academic year, he accepted and left Vivienne in England. Upon his return, he arranged for a formal separation from her, avoiding all but one meeting with her between his leaving for America in and her death in Vivienne was committed to the Northumberland House mental hospital, Stoke Newington , in , and remained there until she died. Although Eliot was still legally her husband, he never visited her.

From to Eliot's public companion was Mary Trevelyan of London University, who wanted to marry him and left a detailed memoir. When Eliot and Hayward separated their household in , Hayward retained his collection of Eliot's papers, which he bequeathed to King's College, Cambridge , in In contrast to his first marriage, Eliot knew Fletcher well, as she had been his secretary at Faber and Faber since August They kept their wedding secret; the ceremony was held in a church at am with virtually no one in attendance other than his wife's parents.

Eliot had no children with either of his wives. In the early s, by then in failing health, Eliot worked as an editor for the Wesleyan University Press , seeking new poets in Europe for publication.

Was T.S. Eliot a Scoundrel?

After Eliot's death, Valerie dedicated her time to preserving his legacy, by editing and annotating The Letters of T. Eliot and a facsimile of the draft of The Waste Land. Eliot died of emphysema at his home in Kensington in London, on 4 January , [48] and was cremated at Golders Green Crematorium.

In my end is my beginning. In , on the second anniversary of his death, Eliot was commemorated by the placement of a large stone in the floor of Poets' Corner in London's Westminster Abbey. The apartment block where he died, No. For a poet of his stature, Eliot produced a relatively small number of poems. He was aware of this even early in his career. He wrote to J. Woods, one of his former Harvard professors, "My reputation in London is built upon one small volume of verse, and is kept up by printing two or three more poems in a year.

The only thing that matters is that these should be perfect in their kind, so that each should be an event. Typically, Eliot first published his poems individually in periodicals or in small books or pamphlets and then collected them in books.

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His first collection was Prufrock and Other Observations These had the same poems in a different order except that "Ode" in the British edition was replaced with "Hysteria" in the American edition. From then on, he updated this work as Collected Poems.

Exceptions are Old Possum's Book of Practical Cats , a collection of light verse; Poems Written in Early Youth , posthumously published in and consisting mainly of poems published between and in The Harvard Advocate , and Inventions of the March Hare: Poems — , material Eliot never intended to have published, which appeared posthumously in During an interview in , Eliot said of his nationality and its role in his work: "I'd say that my poetry has obviously more in common with my distinguished contemporaries in America than with anything written in my generation in England.

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That I'm sure of. It wouldn't be what it is, and I imagine it wouldn't be so good; putting it as modestly as I can, it wouldn't be what it is if I'd been born in England, and it wouldn't be what it is if I'd stayed in America. It's a combination of things. But in its sources, in its emotional springs, it comes from America. Cleo McNelly Kearns notes in her biography that Eliot was deeply influenced by Indic traditions, notably the Upanishads. From the Sanskrit ending of The Waste Land to the "What Krishna meant" section of Four Quartets shows how much Indic religions and more specifically Hinduism made up his philosophical basic for his thought process.

He himself wrote in his essay on W. Yeats: "The kind of poetry that I needed to teach me the use of my own voice did not exist in English at all; it was only to be found in French. Alfred Prufrock". Its now-famous opening lines, comparing the evening sky to "a patient etherised upon a table", were considered shocking and offensive, especially at a time when Georgian Poetry was hailed for its derivations of the nineteenth century Romantic Poets. The poem's structure was heavily influenced by Eliot's extensive reading of Dante and refers to a number of literary works, including Hamlet and those of the French Symbolists.

Eliot is surely of the very smallest importance to anyone, even to himself. They certainly have no relation to poetry. Eliot's dedication to il miglior fabbro "the better craftsman" refers to Ezra Pound's significant hand in editing and reshaping the poem from a longer Eliot manuscript to the shortened version that appears in publication.

T.S. Eliot's anti-Semitism is back in the news.

It was composed during a period of personal difficulty for Eliot—his marriage was failing, and both he and Vivienne were suffering from nervous disorders. The poem is often read as a representation of the disillusionment of the post-war generation. Before the poem's publication as a book in December , Eliot distanced himself from its vision of despair. On 15 November , he wrote to Richard Aldington , saying, "As for The Waste Land , that is a thing of the past so far as I am concerned and I am now feeling toward a new form and style. The poem is known for its obscure nature—its slippage between satire and prophecy; its abrupt changes of speaker, location, and time.

This structural complexity is one of the reasons why the poem has become a touchstone of modern literature , a poetic counterpart to a novel published in the same year, James Joyce 's Ulysses. Among its best-known phrases are "April is the cruellest month", "I will show you fear in a handful of dust" and " Shantih shantih shantih ". The Sanskrit mantra ends the poem. The Hollow Men appeared in For the critic Edmund Wilson , it marked "The nadir of the phase of despair and desolation given such effective expression in The Waste Land.

Similar to Eliot's other works, its themes are overlapping and fragmentary. Post-war Europe under the Treaty of Versailles which Eliot despised , the difficulty of hope and religious conversion, Eliot's failed marriage. Ash-Wednesday is the first long poem written by Eliot after his conversion to Anglicanism. Published in , it deals with the struggle that ensues when one who has lacked faith acquires it. Sometimes referred to as Eliot's "conversion poem", it is richly but ambiguously allusive, and deals with the aspiration to move from spiritual barrenness to hope for human salvation.

Eliot's style of writing in Ash-Wednesday showed a marked shift from the poetry he had written prior to his conversion, and his post-conversion style continued in a similar vein. His style became less ironic, and the poems were no longer populated by multiple characters in dialogue. Eliot's subject matter also became more focused on his spiritual concerns and his Christian faith. Many critics were particularly enthusiastic about Ash-Wednesday.