Cowboys Sweetheart (Copper Canyon, Texas Book 2)

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She enjoys having her handsome grandson underfoot and her three grown children nearby.

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A life-size cutout of John Wayne stands near her desk and supervises her writing. When she's not working, she's hanging out with assorted extended family, playing with five bed-hogging dogs, cooking something scrumdillyicious, sewing, researching genealogy, and, of course, reading - both print books and on her Kindle. You can find her blogs, too, The Clever Writer - www. Are you an author? Help us improve our Author Pages by updating your bibliography and submitting a new or current image and biography. Learn more at Author Central.

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Previous page. Kindle Edition. Next page. Critics shrugged; audiences fell in love. With the exception of its opening sequences, The Ox-Bow Incident was shot almost entirely with painted backdrops and artificially created light and shadow. The closed-in feeling suits this dark story of a lynching of innocents and its repercussions among the town folk. In their final collaboration, Stewart hunts down the men who sold guns to the Apaches, resulting in the death of his brother.

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If Shakespeare had written a western tragedy, it might have looked like this. Moody and very dark, more film noir than horse opera, with Robert Mitchum as a long-haired drifter caught between warring ranchers and homesteaders. Mitchum, a shifty character in any setting, plays moral relativism so well that even when he does the right thing, you still don't trust him.

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  7. Gone With the Wind , western-style. Melodramatic, over-the-top, and just plain trashy — but in a good way. Too bad moviegoers preferred to watch him fighting dirty apes in another film. A companion piece to High Noon , with a more charismatic villain. A tense psychological drama. The climactic gunfight is a knockout. Sometimes magic happens by accident. El Dorado seemed an exercise in going through the motions; an unofficial finale to a trilogy of Howard Hawks westerns Rio Bravo and Rio Lobo came first all starring John Wayne, in which the stories were more or less interchangeable.

    But Wayne, Robert Mitchum, and James Caan play the familiar material with a wink to each other and to the audience that is irresistible. No one played the reluctant hero better than James Garner, whose easygoing charm fit perfectly in this delightful comedy.

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    A Chicago hotel clerk bails a cowboy out of debt, in exchange for a job on his next cattle drive. Violence ensues.

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    Superb Gordon Willis photography elevates this post-World War II spin on the old story of independent ranchers under siege from big business. The thrilling land rush scene remains a cinematic tour de force.

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    Irreverent, non-traditional western with James Garner as the affable Bret Maverick, a gambler who, when trouble beckons, is ever-ready to climb out of a window and run away. Cecil B. Note the dramatic Star Wars -style credits. Long before The Love Boat ever thought of setting sail, Wagon Train gathered different guest stars each week for an eventful expedition.

    A sheriff turned disillusioned bounty hunter Henry Fonda tutors an inexperienced lawman Anthony Perkins in this intense Anthony Mann classic. America meets Clint Eastwood as cattleman Rowdy Yates and sings along between whip-cracking to the best TV western theme song ever. After portraying Indians as shooting gallery ducks for 25 years, director John Ford switched sides in his final western. Moving, heartfelt, and long overdue, even if the Cheyenne chiefs are played by Ricardo Montalban and Gilbert Roland. The passing of the Old West was indelibly captured one unforgettable image when fugitive cowboy Kirk Douglas tries to cross a superhighway on horseback.

    Pure hokum as a biography of the famed outlaw, but grand entertainment starring Tyrone Power as Jesse and Henry Fonda as his brother Frank and featuring some of the most perilous stunt riding ever captured on film. The provocative undercurrents in this tale of a hired gunslinger Henry Fonda and his faithful companion Anthony Quinn will keep the Freudians busy for hours.

    We wondered if McLintock! Yes, it was. Dennis Weaver portrayed New Mexico Marshal Sam McCloud, who drew snickers from the hard-boiled Manhattan police detectives for his sheepskin coat and cowboy hat, until he beat them to the bad guys every time. Stuntman turned actor Richard Farnsworth waited 40 years for a lead role, and then became an overnight sensation as an aging train robber.

    John Wayne plays Davy Crockett in a historically honest depiction of the famous siege. Spurned in its time, the film now gets better with every viewing. The moral of this story is never pick up a hitchhiking nun. Typically bold Cecil B. DeMille blend of history and fiction, with Barbara Stanwyck in one of her best tough-girl roles.

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    Breezy comedy with a terrific twist ending, with Henry Fonda and Joanne Woodward as a farm couple who risk their life savings in a high-stakes poker game. A laid-back outlaw Willie Nelson befriends a farm boy on the lam Gary Busey in this amiable, well-photographed character study. A holiday classic.

    The Clarks sold the ranch in and retired to Quesnel where Jim died in Artistic Achievments. Alan Fry was born on the family ranch near Lac La Hache in His roots are ingrained in art and ranching. His grandfather, Roger Fry was a well known artist and art critic in England and a member of the Bloomsbury Group. Alan's father, Julian, studied agriculture in England and from the time he first arrived in Canada in , was committed to cattle ranching and to the development of cattlemen's associations.

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    In the summer of , Alan was twelve years old and went out to work on nearby ranches. He had to become a man and under the watchful eye of the master, Gussy Haller, learned ranching skills. By the time he was sixteen he had cowboyed on various ranches in the Kamloops area to earn his keep. He returned to ranching in and later joined the Department of Indian Affairs where he spent twenty years.

    In his book The Ranch on the Cariboo was first published. Since then he has had four more books published. Jake's career began at Douglas Lake around He was fourteen when Mike Ferguson assigned him to roping calves for branding. He had been driving teams with the farm crew since he was nine but wasn't on the payroll until he started working for Mike, and stayed working at the Douglas Lake Ranch until his retirement in Over the 50 plus years Jake worked on the ranch he could tell the history and details of every cow horse on the ranch.

    He kept track of other things too, such as the fifty-two different cooks that worked at the ranch while he was there. He was a man to watch if you wanted to learn to do. He led by example and many cowboys, novice or experienced, learned from him.

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    Jake was a top hand, legendary cow man and highly skilled with a rope. For a few years, Jake and his team roping partner Scotty Holmes were contenders in the local rodeo circuit but it was hard to travel too far afield working six days a week. It has been said about Jake, that any cowboys who rode with him over the years had 'something to brag about'. Percy Minnabarriet was raised at 89 Mile near Spences Bridge. His first job was cowboying at the Ashcroft Ranch. He began rodeoing when he was sixteen.

    He won his first steer-riding competition and that was the start of his career. Percy married Marie and they had six sons and three daughters.